| Issue | Title | |
| Vol 2, No 1 (2010): Wide Screen | 4 | Abstract PDF HTML |
| Avirup Ghosh | ||
| Vol 3, No 1 (2011): Wide Screen | An Analysis of the Technoscientific Imaginary in the Remake of The Stepford Wives | Abstract PDF |
| Jessica Johnston, Cornelia Sears | ||
| Vol 2, No 2 (2010): Special Issue: Production Studies | Anthology Film. The Future Is Now: Film Producer As Creative Director | Abstract PDF HTML |
| Shekhar Deshpande | ||
| Vol 2, No 1 (2010): Wide Screen | Aura, Auteurism and the Key to Reserva | Abstract PDF HTML |
| Kartik Nair | ||
| Vol 2, No 1 (2010): Wide Screen | “Bhagat Singh Topless, Waving In Jeans”: Melancholia Through Mimesis In Rang De Basanti | Abstract PDF HTML |
| Kshama Kumar | ||
| Vol 2, No 1 (2010): Wide Screen | “We must be doing something right to last two hundred years”: Nashville, or the American bicentennial as viewed by Robert Altman | Abstract PDF HTML |
| Chris Louis Durham | ||
| Vol 1, No 1 (2009): Inaugural Issue | Caché and the Secret Image | Abstract PDF HTML |
| Kartik Nair | ||
| Vol 3, No 1 (2011): Wide Screen | Cinema “Of” Yemen And Saudi Arabia: Narrative Strategies, Cultural Challenges, Contemporary Features | Abstract PDF |
| Anne Ciecko | ||
| Vol 2, No 2 (2010): Special Issue: Production Studies | Cinema Of Poverty: Independence And Simplicity In An Age Of Abundance And Complexity | Abstract PDF HTML |
| Erik Knudsen | ||
| Vol 2, No 2 (2010): Special Issue: Production Studies | Close Encounters?: Contemporary Turkish Television And Cinema | Abstract PDF HTML |
| Melis Behlil | ||
| Vol 1, No 1 (2009): Inaugural Issue | Close-up on the Colony: Inside History, Through the Camera Lens | Abstract PDF HTML |
| Megha Anwer | ||
| Vol 3, No 1 (2011): Wide Screen | Director Profile: Mai Masri | Abstract PDF |
| Latika Padgaonkar | ||
| Vol 3, No 1 (2011): Wide Screen | Drôle de Félix : A Search for Cultural Identity on the Road | Abstract PDF |
| Zélie Asava | ||
| Vol 2, No 1 (2010): Wide Screen | Editorial | Abstract PDF HTML |
| Kuhu Tanvir | ||
| Vol 2, No 1 (2010): Wide Screen | Film Analysis: A Comparison among Criticism, Interpretation, Analysis and Close Analysis. | Abstract PDF HTML |
| Elisa Pezzotta | ||
| Vol 2, No 1 (2010): Wide Screen | Film Festival Yearbook 1 | Abstract PDF HTML |
| Kuhu Tanvir | ||
| Vol 1, No 1 (2009): Inaugural Issue | Filmic Performance – Authenticity and The Apple | Abstract PDF HTML |
| Margherita Sprio | ||
| Vol 1, No 1 (2009): Inaugural Issue | Genre-%!$?Ing: Harmony Korine’s Cinema Of Poetry | Abstract PDF HTML |
| Tom Austin O'Connor | ||
| Vol 1, No 1 (2009): Inaugural Issue | Guess Who’s Off The Hook: Inventing Interracial Coupling In Global Art Cinema | Abstract PDF HTML |
| Jayson Baker | ||
| Vol 3, No 1 (2011): Wide Screen | Handling Financial and Creative Risk in German Film Production | Abstract PDF |
| M. Bjørn von Rimscha | ||
| Vol 3, No 1 (2011): Wide Screen | Home Sweet Home: The Cautionary Prison/Fairy Tale | Abstract PDF |
| Paul Tremblay | ||
| Vol 2, No 2 (2010): Special Issue: Production Studies | Housekeeper of Hong Kong cinema: The role of producer in the system of Hong Kong film industry | Abstract PDF HTML |
| Cindy Chan | ||
| Vol 3, No 1 (2011): Wide Screen | Identity Construction and Ambiguity in Christopher Nolan’s Films | Abstract PDF |
| Erin Hill-Parks | ||
| Vol 1, No 1 (2009): Inaugural Issue | Interview: Christine Hakim | Abstract PDF HTML |
| Kuhu Tanvir | ||
| Vol 1, No 1 (2009): Inaugural Issue | Interview: Eran Riklis | Abstract PDF HTML |
| Kuhu Tanvir | ||
| 1 - 25 of 60 Items | 1 2 3 > >> | |



