| Militants and Cinema: Digital Attempts to Make the Multitude in Hunger, Che, Public Enemies |
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Joshua Aaron Gooch |
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| Minnelli's Yellows: Illusion, Delusion and Impressionism on Film |
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Kate Hext |
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| Trauma, Post-Apocalyptic Science Fiction & the Post-Human |
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Anirban Kapil Baishya |
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| Drôle de Félix : A Search for Cultural Identity on the Road |
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Zélie Asava |
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| An Analysis of the Technoscientific Imaginary in the Remake of The Stepford Wives |
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Jessica Johnston, Cornelia Sears |
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| Home Sweet Home: The Cautionary Prison/Fairy Tale |
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Paul Tremblay |
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| Handling Financial and Creative Risk in German Film Production |
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M. Bjørn von Rimscha |
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| Opening Pandora’s (Black) Box: Towards A Methodology Of Production Studies |
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Graham Roberts |
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| Introduction: Cinemas of the Arab World |
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Latika Padgaonkar |
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| Cinema “Of” Yemen And Saudi Arabia: Narrative Strategies, Cultural Challenges, Contemporary Features |
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Anne Ciecko |
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| Director Profile: Mai Masri |
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Latika Padgaonkar |
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| Salah Abu Seif and Arab Neorealism |
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Ouissal Mejri |
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| Identity Construction and Ambiguity in Christopher Nolan’s Films |
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Erin Hill-Parks |
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| Jaane Bhi Do Yaaro: Seriously Funny Since 1983 |
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Radha Dayal |
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