Table of Contents
Essays
| Editorial | PDF HTML |
| Kuhu Tanvir |
| On Not Being a Fan: Masculine Identity, DVD Culture and the Accidental Collector | PDF HTML |
| Caroline Bainbridge, Candida Yates |
| Aura, Auteurism and the Key to Reserva | PDF HTML |
| Kartik Nair |
| Multiculturalism and Morphing in I’m Not There (Haynes, 2007) | PDF HTML |
| Zélie Asava |
| Urban Imagination and the Cinema of Jafar Panahi | PDF HTML |
| Sarah Niazi |
| Visual Story Telling and History As A Great Toy in The Lives of Others | PDF HTML |
| Gerry Coulter |
| Film Analysis: A Comparison among Criticism, Interpretation, Analysis and Close Analysis. | PDF HTML |
| Elisa Pezzotta |
| “Bhagat Singh Topless, Waving In Jeans”: Melancholia Through Mimesis In Rang De Basanti | PDF HTML |
| Kshama Kumar |
| Loss and Mourning: Cinema's 'Language' of Trauma in Waltz with Bashir | PDF HTML |
| Natasha Jane Mansfield |
| “We must be doing something right to last two hundred years”: Nashville, or the American bicentennial as viewed by Robert Altman | PDF HTML |
| Chris Louis Durham |
Comment
| The Cinema of Matteo Garrone | PDF HTML |
| Roberta Di Carmine |
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ISSN: 1757-3920