| On Not Being a Fan: Masculine Identity, DVD Culture and the Accidental Collector |
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Caroline Bainbridge, Candida Yates |
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| Aura, Auteurism and the Key to Reserva |
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Kartik Nair |
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| Multiculturalism and Morphing in I’m Not There (Haynes, 2007) |
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Zélie Asava |
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| Urban Imagination and the Cinema of Jafar Panahi |
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Sarah Niazi |
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| Visual Story Telling and History As A Great Toy in The Lives of Others |
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Gerry Coulter |
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| Film Analysis: A Comparison among Criticism, Interpretation, Analysis and Close Analysis. |
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Elisa Pezzotta |
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| “Bhagat Singh Topless, Waving In Jeans”: Melancholia Through Mimesis In Rang De Basanti |
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Kshama Kumar |
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| Loss and Mourning: Cinema's 'Language' of Trauma in Waltz with Bashir |
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Natasha Jane Mansfield |
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| “We must be doing something right to last two hundred years”: Nashville, or the American bicentennial as viewed by Robert Altman |
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Chris Louis Durham |
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| The Cinema of Matteo Garrone |
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Roberta Di Carmine |
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