| Filmic Performance – Authenticity and The Apple |
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Margherita Sprio |
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| Nation, Liberalisation And Film Songs: Technology And Hybridisation In Contemporary Hindi Film Music |
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Aniruddha Dutta |
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| Guess Who’s Off The Hook: Inventing Interracial Coupling In Global Art Cinema |
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Jayson Baker |
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| The Paradox Of Transvestism In Tim Burton’s Ed Wood |
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Deborah Mellamphy |
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| The Significance Of The Queer And The Dog In Alejandro González Iñárritu’s Amores Perros (2000): A Masculinity At War |
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Orla Juliette Borreye |
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| The Monstrous Masculine: Abjection And Todd Solondz's Happiness |
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Adam P Wadenius |
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| Genre-%!$?Ing: Harmony Korine’s Cinema Of Poetry |
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Tom Austin O'Connor |
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| Close-up on the Colony: Inside History, Through the Camera Lens |
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Megha Anwer |
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| The Poetry Of Reversibility And The Other In The English Patient |
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Gerry Coulter |
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| Caché and the Secret Image |
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Kartik Nair |
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| Pan’s Labyrinth: The Labyrinth of History |
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Kuhu Tanvir |
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| Unheard Screams And Silent Acceptance: Modern Indian Cinematic Representations Of Subaltern Women |
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Rajiv Kannan Menon |
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| Interview: Christine Hakim |
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Kuhu Tanvir |
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| Interview: Hana Makhmalbaf |
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Kishore Budha |
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| Interview: Ralf Christensen |
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Yang Hu |
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| Review: Haute Tension/Switchblade Romance |
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Paul Taylor |
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